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Gustav Klimt Judith II (mk20) oil painting


Judith II (mk20)
Painting ID::  22476
Gustav Klimt
Judith II (mk20)
1909 Oil on canvas,178 x 46 cm Galleria d'Arte Moderne,Venice

   
   
     

Gustav Klimt Fulfilment,pattern for the Stoclet Frieze,around (mk20) oil painting


Fulfilment,pattern for the Stoclet Frieze,around (mk20)
Painting ID::  22477
Gustav Klimt
Fulfilment,pattern for the Stoclet Frieze,around (mk20)
1905/09 Die Erfullung Austrian Museum of Applied Art,Vienna

   
   
     

Gustav Klimt Pallas Athene (mk20) oil painting


Pallas Athene (mk20)
Painting ID::  22478
Gustav Klimt
Pallas Athene (mk20)
1898 Oil on canvas,75 x 75 cm Historical Museum,Vienna

   
   
     

Gustav Klimt Farm Garden with Sunflowers (mk20) oil painting


Farm Garden with Sunflowers (mk20)
Painting ID::  22479
Gustav Klimt
Farm Garden with Sunflowers (mk20)
around 1905/06 Bauerngarten mit Sonnenblumen Oil on canvas,110 x 110 cm Austrian Gallery,Vienna

   
   
     

Gustav Klimt Avenue in Schloss Kammer Park (mk20) oil painting


Avenue in Schloss Kammer Park (mk20)
Painting ID::  22480
Gustav Klimt
Avenue in Schloss Kammer Park (mk20)
1912 Allee im Park von Schlo Kammer Oil on canvas,110 x 110 cm Austrian Gallery,Vienna

   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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